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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Portrait by Charles Dana Gibson, c. 1903 Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. (Although, the first woman ever to win an Olympic event, Hélène de Pourtalès, was American-born, but married into Swiss nobility.) Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)

    Portrait by Charles Dana Gibson, c. 1903

    Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. (Although, the first woman ever to win an Olympic event, Hélène de Pourtalès, was American-born, but married into Swiss nobility.)

    Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)
  • Image 2 The red panda (Ailurus fulgens), also known as the lesser panda, is a small mammal native to the eastern Himalayas and southwestern China. It has dense reddish-brown fur with a black belly and legs, white-lined ears, a mostly white muzzle and a ringed tail. Its head-to-body length is 51–63.5 cm (20.1–25.0 in) with a 28–48.5 cm (11.0–19.1 in) tail, and it weighs between 3.2 and 15 kg (7.1 and 33.1 lb). It is well adapted to climbing due to its flexible joints and curved semi-retractile claws. The red panda was formally described in 1825. The two currently recognised subspecies, the Himalayan and the Chinese red panda, genetically diverged about 250,000 years ago. The red panda's place on the evolutionary tree has been debated, but modern genetic evidence places it in close affinity with raccoons, weasels, and skunks. It is not closely related to the giant panda, which is a bear, though both possess elongated wrist bones or "false thumbs" used for grasping bamboo. The evolutionary lineage of the red panda (Ailuridae) stretches back around 25 to 18 million years ago, as indicated by extinct fossil relatives found in Eurasia and North America. (Full article...)

    The red panda (Ailurus fulgens), also known as the lesser panda, is a small mammal native to the eastern Himalayas and southwestern China. It has dense reddish-brown fur with a black belly and legs, white-lined ears, a mostly white muzzle and a ringed tail. Its head-to-body length is 51–63.5 cm (20.1–25.0 in) with a 28–48.5 cm (11.0–19.1 in) tail, and it weighs between 3.2 and 15 kg (7.1 and 33.1 lb). It is well adapted to climbing due to its flexible joints and curved semi-retractile claws.

    The red panda was formally described in 1825. The two currently recognised subspecies, the Himalayan and the Chinese red panda, genetically diverged about 250,000 years ago. The red panda's place on the evolutionary tree has been debated, but modern genetic evidence places it in close affinity with raccoons, weasels, and skunks. It is not closely related to the giant panda, which is a bear, though both possess elongated wrist bones or "false thumbs" used for grasping bamboo. The evolutionary lineage of the red panda (Ailuridae) stretches back around 25 to 18 million years ago, as indicated by extinct fossil relatives found in Eurasia and North America. (Full article...)
  • Image 3 Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial. Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
    Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial.

    Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
  • Image 4 Collins on an 1899 postcard Arthur Edward Jeune Collins (18 August 1885 – 11 November 1914) was an English cricketer and soldier. He held, for 116 years, the record of highest score in cricket: as a 13-year-old schoolboy, he scored 628 not out over four afternoons in June 1899. Collins's record-making innings drew a large crowd and increasing media interest; spectators at the Old Cliftonian match being played nearby were drawn away to watch the junior school house cricket match in which Collins was playing. Despite this achievement, Collins never played first-class cricket. Collins's 628 not out stood as the record score until January 2016 when an Indian boy, Pranav Dhanawade, scored 1009 in a single innings. Collins joined the British Army in 1902 and studied at the Royal Military Academy, Woolwich, before becoming an officer in the Royal Engineers. He served in France during the First World War, where he was killed in action in 1914 during the First Battle of Ypres. Collins had been mentioned in despatches and also represented the Royal Military Academy at cricket and rugby union. (Full article...)

    Collins on an 1899 postcard

    Arthur Edward Jeune Collins (18 August 1885 – 11 November 1914) was an English cricketer and soldier. He held, for 116 years, the record of highest score in cricket: as a 13-year-old schoolboy, he scored 628 not out over four afternoons in June 1899. Collins's record-making innings drew a large crowd and increasing media interest; spectators at the Old Cliftonian match being played nearby were drawn away to watch the junior school house cricket match in which Collins was playing. Despite this achievement, Collins never played first-class cricket. Collins's 628 not out stood as the record score until January 2016 when an Indian boy, Pranav Dhanawade, scored 1009 in a single innings.

    Collins joined the British Army in 1902 and studied at the Royal Military Academy, Woolwich, before becoming an officer in the Royal Engineers. He served in France during the First World War, where he was killed in action in 1914 during the First Battle of Ypres. Collins had been mentioned in despatches and also represented the Royal Military Academy at cricket and rugby union. (Full article...)
  • Image 5 Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head. Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia). The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)

    Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head.

    Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia).

    The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)
  • Image 6 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 7 The central image at Vithoba Temple in Pandharpur Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)

    The central image at Vithoba Temple in Pandharpur

    Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.

    Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)
  • Image 8 Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction action film co-written and directed by S. Shankar. It is the first instalment in the Enthiran film series. The film stars Rajinikanth in the main dual lead role as a scientist and the robot he created. Aishwarya Rai Bachchan, Danny Denzongpa, Santhanam and Karunas play supporting roles. The soundtrack album and background score were composed by A. R. Rahman while the dialogues, cinematography, editing and art direction were handled by Madhan Karky, R. Rathnavelu, Anthony and Sabu Cyril respectively. The story revolves around the struggle of a scientist named Vaseegaran to control his sophisticated android robot named Chitti, after Chitti's software is upgraded to give it the ability to comprehend and exhibit human emotions and to commission it to the Indian Army. The project backfires when Chitti falls in love with Vaseegaran's girlfriend Sana, and is manipulated by Vaseegaran's mentor Bohra into becoming homicidal. After being stalled in the development phase for nearly a decade, the film's principal photography began in 2008 and lasted two years. The film marked the debut of Legacy Effects studio (which was responsible for the film's prosthetic make-up and animatronics) in Indian cinema. Enthiran was released worldwide on 1 October 2010. Produced by Kalanithi Maran, it was India's most expensive film up to that point. (Full article...)
    Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction action film co-written and directed by S. Shankar. It is the first instalment in the Enthiran film series. The film stars Rajinikanth in the main dual lead role as a scientist and the robot he created. Aishwarya Rai Bachchan, Danny Denzongpa, Santhanam and Karunas play supporting roles. The soundtrack album and background score were composed by A. R. Rahman while the dialogues, cinematography, editing and art direction were handled by Madhan Karky, R. Rathnavelu, Anthony and Sabu Cyril respectively. The story revolves around the struggle of a scientist named Vaseegaran to control his sophisticated android robot named Chitti, after Chitti's software is upgraded to give it the ability to comprehend and exhibit human emotions and to commission it to the Indian Army. The project backfires when Chitti falls in love with Vaseegaran's girlfriend Sana, and is manipulated by Vaseegaran's mentor Bohra into becoming homicidal.

    After being stalled in the development phase for nearly a decade, the film's principal photography began in 2008 and lasted two years. The film marked the debut of Legacy Effects studio (which was responsible for the film's prosthetic make-up and animatronics) in Indian cinema. Enthiran was released worldwide on 1 October 2010. Produced by Kalanithi Maran, it was India's most expensive film up to that point. (Full article...)
  • Image 9 Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
    Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.

    The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
  • Image 10 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 11 The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical period film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931. The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
    The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical period film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931.

    The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
  • Image 12 Gay at peak intensity before making landfall on India, on 8 November Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November. The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)

    Gay at peak intensity before making landfall on India, on 8 November

    Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November.

    The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)
  • Image 13 The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. The medieval era spans several periods of time from the earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi which was the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit. In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
    The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. The medieval era spans several periods of time from the earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi which was the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit.

    In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
  • Image 14 Padukone at the 2018 Cannes Film Festival Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. She features in listings of the nation's most popular personalities; Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022. Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)

    Padukone at the 2018 Cannes Film Festival

    Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. She features in listings of the nation's most popular personalities; Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022.

    Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)
  • Image 15 The Kingdom of Mysore was a geopolitical realm in southern India founded in around 1399 in the vicinity of the modern-day city of Mysore and prevailed until 1950. The territorial boundaries and the form of government transmuted substantially throughout the kingdom's lifetime. While originally a feudal vassal under the Vijayanagara Empire, it became a princely state in British India from 1799 to 1947, marked in-between by major political changes. The kingdom, which was founded and ruled for the most part by the Wadiyars, initially served as a feudal vassal under the Vijayanagara Empire. With the gradual decline of the Empire, the 16th-century Timmaraja Wodeyar II declared independence from it. The 17th century saw a steady expansion of its territory and, during the rules of Narasaraja Wodeyar I and Devaraja Wodeyar II, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, becoming a formidable power in the Deccan. (Full article...)

    The Kingdom of Mysore was a geopolitical realm in southern India founded in around 1399 in the vicinity of the modern-day city of Mysore and prevailed until 1950. The territorial boundaries and the form of government transmuted substantially throughout the kingdom's lifetime. While originally a feudal vassal under the Vijayanagara Empire, it became a princely state in British India from 1799 to 1947, marked in-between by major political changes.

    The kingdom, which was founded and ruled for the most part by the Wadiyars, initially served as a feudal vassal under the Vijayanagara Empire. With the gradual decline of the Empire, the 16th-century Timmaraja Wodeyar II declared independence from it. The 17th century saw a steady expansion of its territory and, during the rules of Narasaraja Wodeyar I and Devaraja Wodeyar II, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, becoming a formidable power in the Deccan. (Full article...)
  • Image 16 Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾaːpːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable city, the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011. Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Mutharaiyars, Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)

    Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾaːpːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable city, the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011.

    Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Mutharaiyars, Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)
  • Image 17 Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance. In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
    Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance.

    In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
  • Image 18 Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed] Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
    Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed]

    Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
  • Image 19 Profile of a Hoysala temple at Somanathapura Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. These three temples were accorded UNESCO world heritage site status in 2023. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct. Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
    Profile of a Hoysala temple at Somanathapura

    Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. These three temples were accorded UNESCO world heritage site status in 2023. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct.

    Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
  • Image 20 Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles. The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
    Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles.

    The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
  • Image 21 Murray in 1928 Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career. Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–03, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of a widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)

    Murray in 1928

    Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career.

    Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–03, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of a widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)
  • Image 22 Vidya in 2023 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)

    Vidya in 2023

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)
  • Image 23 Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: [ˈdard͡ziliŋ], Bengali: [ˈdarˌdʒiliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days. In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)

    Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: [ˈdard͡ziliŋ], Bengali: [ˈdarˌdʒiliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days.

    In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)
  • Image 24 A Bengal tigress in Kanha Tiger Reserve, India The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands. Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)

    A Bengal tigress in Kanha Tiger Reserve, India

    The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands.

    Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)
  • Image 25 Procession march held on 21 February 1952 in Dhaka The Bengali language movement was a political movement in former East Bengal in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali script. When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)

    Procession march held on 21 February 1952 in Dhaka

    The Bengali language movement was a political movement in former East Bengal in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali script.

    When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)
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  • Image 1 Ajith Kumar in 2010 Ajith Kumar is an Indian actor who works mainly in Tamil cinema. Apart from a small role in the 1990 Tamil film En Veedu En Kanavar, his professional career began three years later with his debut as a lead actor in Tamil cinema with Amaravathi (1993). Despite being a moderate success, the film helped him obtain more modelling assignments. He followed it up the same year with Prema Pusthakam, his only Telugu film to date. After Amaravathi's release, Ajith opted against acting, and instead tried pursuing a career in auto racing. While training for an amateur race, he injured his back and underwent three major surgeries, leaving him bed-ridden for a year and a half. After recovering from the injury, he played supporting roles in Paasamalargal (1994) and Pavithra (1994). After this, he co-starred with Vijay in Rajavin Parvaiyile (1995). That same year, he had his breakthrough with the romantic thriller Aasai. His performance earned him critical acclaim and established him as an up-and-coming actor in Tamil cinema. He was next seen as the main lead in Agathiyan's epistolary Kadhal Kottai (1996), a critical and commercial success. In 1997, he had five releases, all of which were commercial failures. Ajith's dual portrayal of twin brothers—where one is deaf-mute—in S. J. Suryah's Vaalee (1999) won him his first Filmfare Award for Best Tamil Actor. Impressed with his performance in that film, Rajiv Menon cast Ajith in the ensemble drama Kandukondain Kandukondain (2000) which was also commercial and critical success. The following year, he collaborated with debutant director AR Murugadoss on the action film Dheena. The film was successful in establishing his reputation as an action hero and earning him the nickname "Thala" ("leader"). He earned critical acclaim for his dual role performance in the vigilante film Citizen (2001), and the film was commercial success. and a Best Actor nomination at Filmfare for the drama Poovellam Un Vasam (2001). His last release of the year was Santosh Sivan's Hindi film Aśoka, where he played a brief antagonistic role opposite Shah Rukh Khan. His -role performance as twin brothers in K. S. Ravikumar's film Villain (2002) won him a second Filmfare Award for Best Tamil Actor. (Full article...)
    Ajith Kumar in 2010


    Ajith Kumar is an Indian actor who works mainly in Tamil cinema. Apart from a small role in the 1990 Tamil film En Veedu En Kanavar, his professional career began three years later with his debut as a lead actor in Tamil cinema with Amaravathi (1993). Despite being a moderate success, the film helped him obtain more modelling assignments. He followed it up the same year with Prema Pusthakam, his only Telugu film to date. After Amaravathi's release, Ajith opted against acting, and instead tried pursuing a career in auto racing. While training for an amateur race, he injured his back and underwent three major surgeries, leaving him bed-ridden for a year and a half. After recovering from the injury, he played supporting roles in Paasamalargal (1994) and Pavithra (1994). After this, he co-starred with Vijay in Rajavin Parvaiyile (1995). That same year, he had his breakthrough with the romantic thriller Aasai. His performance earned him critical acclaim and established him as an up-and-coming actor in Tamil cinema.

    He was next seen as the main lead in Agathiyan's epistolary Kadhal Kottai (1996), a critical and commercial success. In 1997, he had five releases, all of which were commercial failures. Ajith's dual portrayal of twin brothers—where one is deaf-mute—in S. J. Suryah's Vaalee (1999) won him his first Filmfare Award for Best Tamil Actor. Impressed with his performance in that film, Rajiv Menon cast Ajith in the ensemble drama Kandukondain Kandukondain (2000) which was also commercial and critical success. The following year, he collaborated with debutant director AR Murugadoss on the action film Dheena. The film was successful in establishing his reputation as an action hero and earning him the nickname "Thala" ("leader"). He earned critical acclaim for his dual role performance in the vigilante film Citizen (2001), and the film was commercial success. and a Best Actor nomination at Filmfare for the drama Poovellam Un Vasam (2001). His last release of the year was Santosh Sivan's Hindi film Aśoka, where he played a brief antagonistic role opposite Shah Rukh Khan. His -role performance as twin brothers in K. S. Ravikumar's film Villain (2002) won him a second Filmfare Award for Best Tamil Actor. (Full article...)
  • Image 2 Lagaan (English: Taxation) is a 2001 Indian sports drama film, written and directed by Ashutosh Gowariker. The film stars Aamir Khan, who also produced the film, and Gracy Singh in the lead roles. Yashpal Sharma, Raghubir Yadav, Rachel Shelley, and Paul Blackthorne feature in supporting roles. The film was edited by Ballu Saluja, with music and cinematography provided by A. R. Rahman, and Anil Mehta respectively. Lagaan is set in India in 1893, during the British Raj. The film tells the story of a small village whose inhabitants are oppressed by high taxes. They are challenged to a cricket match by an arrogant officer as a wager to avoid the taxes. Lagaan was released on 15 June 2001. The film grossed over ₹1.3 billion (US$16 million) globally on a production budget of ₹250 million (US$3.0 million). It received nominations, and awards in several categories both in India and internationally, with particular praise for its direction, acting and landscapes. (Full article...)
    Lagaan (English: Taxation) is a 2001 Indian sports drama film, written and directed by Ashutosh Gowariker. The film stars Aamir Khan, who also produced the film, and Gracy Singh in the lead roles. Yashpal Sharma, Raghubir Yadav, Rachel Shelley, and Paul Blackthorne feature in supporting roles. The film was edited by Ballu Saluja, with music and cinematography provided by A. R. Rahman, and Anil Mehta respectively. Lagaan is set in India in 1893, during the British Raj. The film tells the story of a small village whose inhabitants are oppressed by high taxes. They are challenged to a cricket match by an arrogant officer as a wager to avoid the taxes.

    Lagaan was released on 15 June 2001. The film grossed over ₹1.3 billion (US$16 million) globally on a production budget of ₹250 million (US$3.0 million). It received nominations, and awards in several categories both in India and internationally, with particular praise for its direction, acting and landscapes. (Full article...)
  • Image 3 The president of the Indian National Congress is the chief executive of the Indian National Congress (INC), one of the principal political parties in India. Constitutionally, the president is elected by an electoral college composed of members drawn from the Pradesh Congress Committees and members of the All India Congress Committee (AICC). In the event of any emergency because of any cause such as the death or resignation of the president elected as above, the most senior general secretary discharges the routine functions of the president until the Working Committee appoints a provisional president pending the election of a regular president by the AICC. The president of the party has effectively been the party's national leader, head of the party's organisation, head of the Working Committee, the chief spokesman, and all chief Congress committees. After the party's foundation in December 1885, Womesh Chandra Banerjee became its first president. From 1885 to 1933, the presidency had a term of one year only. From 1933 onwards, there was no such fixed term for the president. During Jawaharlal Nehru's premiership, he rarely held the Presidency of INC, even though he was always head of the Parliamentary Party. Despite being a party with a structure, Congress under Indira Gandhi did not hold any organisational elections after 1978. In 1978, Gandhi split from the INC and formed a new opposition party, popularly called Congress (I), which the national election commission declared to be the real Indian National Congress for the 1980 general election. Gandhi institutionalised the practice of having the same person as the Congress president and the prime minister of India after the formation of Congress (I). Her successors Rajiv Gandhi and P. V. Narasimha Rao also continued that practice. Nonetheless, in 2004, when the Congress was voted back into power, Manmohan Singh became the first and only prime minister not to be the president of the party since establishment of the practice of the president holding both positions. (Full article...)

    The president of the Indian National Congress is the chief executive of the Indian National Congress (INC), one of the principal political parties in India. Constitutionally, the president is elected by an electoral college composed of members drawn from the Pradesh Congress Committees and members of the All India Congress Committee (AICC). In the event of any emergency because of any cause such as the death or resignation of the president elected as above, the most senior general secretary discharges the routine functions of the president until the Working Committee appoints a provisional president pending the election of a regular president by the AICC. The president of the party has effectively been the party's national leader, head of the party's organisation, head of the Working Committee, the chief spokesman, and all chief Congress committees.

    After the party's foundation in December 1885, Womesh Chandra Banerjee became its first president. From 1885 to 1933, the presidency had a term of one year only. From 1933 onwards, there was no such fixed term for the president. During Jawaharlal Nehru's premiership, he rarely held the Presidency of INC, even though he was always head of the Parliamentary Party. Despite being a party with a structure, Congress under Indira Gandhi did not hold any organisational elections after 1978. In 1978, Gandhi split from the INC and formed a new opposition party, popularly called Congress (I), which the national election commission declared to be the real Indian National Congress for the 1980 general election. Gandhi institutionalised the practice of having the same person as the Congress president and the prime minister of India after the formation of Congress (I). Her successors Rajiv Gandhi and P. V. Narasimha Rao also continued that practice. Nonetheless, in 2004, when the Congress was voted back into power, Manmohan Singh became the first and only prime minister not to be the president of the party since establishment of the practice of the president holding both positions. (Full article...)
  • Image 4 Vikram Vedha is a 2017 Indian Tamil-language neo-noir action thriller film directed and written by the husband and wife duo Pushkar–Gayathri and produced by S. Sashikanth under the banner of YNOT Studios. R. Madhavan and Vijay Sethupathi play the title characters Vikram and Vedha respectively. Shraddha Srinath, Kathir and Varalaxmi Sarathkumar play the other lead roles while Prem, Achyuth Kumar, Hareesh Peradi and Vivek Prasanna feature as supporting characters. Sam C. S. composed the film's soundtrack and score. Richard Kevin and P. S. Vinod was in charge of the editing and cinematography respectively. A contemporary adaptation of the Indian folktale Baital Pachisi, the film follows Vikram, a police inspector who is decisive about good and evil, and the head of an encounter unit which is formed to track down and kill Vedha, a gangster. When the unit makes plans for another encounter, Vedha walks into the police station and voluntarily surrenders himself. He then tells Vikram three stories which bring about a change in the latter's perceptions of right and wrong. (Full article...)

    Vikram Vedha is a 2017 Indian Tamil-language neo-noir action thriller film directed and written by the husband and wife duo Pushkar–Gayathri and produced by S. Sashikanth under the banner of YNOT Studios. R. Madhavan and Vijay Sethupathi play the title characters Vikram and Vedha respectively. Shraddha Srinath, Kathir and Varalaxmi Sarathkumar play the other lead roles while Prem, Achyuth Kumar, Hareesh Peradi and Vivek Prasanna feature as supporting characters. Sam C. S. composed the film's soundtrack and score. Richard Kevin and P. S. Vinod was in charge of the editing and cinematography respectively.

    A contemporary adaptation of the Indian folktale Baital Pachisi, the film follows Vikram, a police inspector who is decisive about good and evil, and the head of an encounter unit which is formed to track down and kill Vedha, a gangster. When the unit makes plans for another encounter, Vedha walks into the police station and voluntarily surrenders himself. He then tells Vikram three stories which bring about a change in the latter's perceptions of right and wrong. (Full article...)
  • Image 5 India is a union consisting of 28 states and 8 union territories. As of 2022, with an estimated population of 1.4 billion, India is the world's most populous country. India occupies 2.4% of the world's area and is home to 17.5% of the world's population. The Indo-Gangetic Plain has one of the world's biggest stretches of fertile not-deep alluvium and are among the most densely populated areas of the world. The eastern and western coastal regions of Deccan Plateau are also densely populated regions of India. The Thar Desert in western Rajasthan is one of the most densely populated deserts in the world. The northern and north-eastern states along the Himalayas contain cold arid deserts with fertile valleys. These states have relatively low population density due to indomitable physical barriers. (Full article...)
    India is a union consisting of 28 states and 8 union territories. As of 2022, with an estimated population of 1.4 billion, India is the world's most populous country. India occupies 2.4% of the world's area and is home to 17.5% of the world's population. The Indo-Gangetic Plain has one of the world's biggest stretches of fertile not-deep alluvium and are among the most densely populated areas of the world. The eastern and western coastal regions of Deccan Plateau are also densely populated regions of India. The Thar Desert in western Rajasthan is one of the most densely populated deserts in the world. The northern and north-eastern states along the Himalayas contain cold arid deserts with fertile valleys. These states have relatively low population density due to indomitable physical barriers. (Full article...)
  • Image 6 Vijay in 2018 in Nadigar Sangam Protest Vijay is an Indian actor, playback singer and politician who works in Tamil cinema. He made his cinematic debut in 1984 with Vetri, directed by his father, S. A. Chandrasekhar. After appearing in Chandrasekhar's films as a child artist, Vijay made his debut as a lead actor with Naalaiya Theerpu (1992) at the age of 18. He followed it with a role opposite Vijayakanth in Senthoorapandi (1993). Vijay went on to play lead roles in his father's directorial ventures such as Rasigan(1994) and Deva (1995)Vishnu Most of those films were successful commercially. Vijay's first commercial blockbuster was romcom Coimbatore Mappillai in 1996, followed by his breakthrough blockbuster romance film, Poove Unakkaga. His subsequent films, Love Today (1997) and Kadhalukku Mariyadhai (1997), were critically and commercially successful. His performance in the latter won him the Tamil Nadu State Film Award for Best Actor. Thulladha Manamum Thullum (1999), where he played a passionate singer gained him the reputation of a romantic hero. (Full article...)
    Vijay in 2018 in Nadigar Sangam Protest

    Vijay is an Indian actor, playback singer and politician who works in Tamil cinema. He made his cinematic debut in 1984 with Vetri, directed by his father, S. A. Chandrasekhar. After appearing in Chandrasekhar's films as a child artist, Vijay made his debut as a lead actor with Naalaiya Theerpu (1992) at the age of 18. He followed it with a role opposite Vijayakanth in Senthoorapandi (1993). Vijay went on to play lead roles in his father's directorial ventures such as Rasigan(1994) and Deva (1995)Vishnu Most of those films were successful commercially.

    Vijay's first commercial blockbuster was romcom Coimbatore Mappillai in 1996, followed by his breakthrough blockbuster romance film, Poove Unakkaga. His subsequent films, Love Today (1997) and Kadhalukku Mariyadhai (1997), were critically and commercially successful. His performance in the latter won him the Tamil Nadu State Film Award for Best Actor. Thulladha Manamum Thullum (1999), where he played a passionate singer gained him the reputation of a romantic hero. (Full article...)
  • Image 7 Kumar in 2012 Akshay Kumar is an Indian actor, television presenter, and film producer who works in Hindi-language films. He had a minor role in the 1987 Indian film Aaj. He debuted in a leading role with the film Saugandh (1991) before his breakthrough with Khiladi (1992), first film of the Khiladi series. In 1994, Kumar featured in 14 releases, including the successful Elaan, Mohra, Main Khiladi Tu Anari, Suhaag and the romantic drama Yeh Dillagi, which earned him a Filmfare Award for Best Actor nomination. He also found success with Khiladiyon Ka Khiladi (1996) and Dil To Pagal Hai (1997), which earned him a Filmfare Award for Best Supporting Actor nomination. However, several other of his 1990s releases performed poorly at the box office, leading to a brief setback in his film career. The 1999 hit crime drama Jaanwar marked Kumar's comeback. His next films Hera Pheri (2000), Dhadkan (2000) and Ajnabee (2001) were well received. He played a negative role in the latter, winning the Filmfare Best Villain Award and then appeared in Andaaz (2003), Aitraaz (2004), Khakee (2004) and Aan: Men at Work (2004) and Waqt (2005). In this period, Kumar also proved himself as a great comic actor when he featured in financially successful comedies like Mujhse Shaadi Karogi (2004), Garam Masala (2005), Family: Ties of Blood (2006) and Bhagam Bhag (2006), Phir Hera Pheri (2006), Namastey London (2007), Heyy Babyy (2007), Welcome (2007), Bhool Bhulaiyaa (2007), Singh Is Kinng (2008), Housefull (2010) and Tees Maar Khan (2010). He won the Filmfare Best Comedian Award for Garam Masala. In 2004, he presented the television series Seven Deadly Arts with Akshay Kumar. In 2008, he founded the Hari Om Entertainment production company, and hosted the first season of the reality game show Fear Factor: Khatron Ke Khiladi. Next year he was honoured with the Padma Shri, India's fourth highest civilian award, for his services to the Indian film industry. Kumar hosted the first season of MasterChef India in 2010. In 2011 he founded another production company Grazing Goat Pictures, and produced the Indo-Canadian hockey-based film Breakaway, which became the highest grossing cross-cultural film at the Canadian box office. (Full article...)
    Kumar in 2012

    Akshay Kumar is an Indian actor, television presenter, and film producer who works in Hindi-language films. He had a minor role in the 1987 Indian film Aaj. He debuted in a leading role with the film Saugandh (1991) before his breakthrough with Khiladi (1992), first film of the Khiladi series. In 1994, Kumar featured in 14 releases, including the successful Elaan, Mohra, Main Khiladi Tu Anari, Suhaag and the romantic drama Yeh Dillagi, which earned him a Filmfare Award for Best Actor nomination. He also found success with Khiladiyon Ka Khiladi (1996) and Dil To Pagal Hai (1997), which earned him a Filmfare Award for Best Supporting Actor nomination. However, several other of his 1990s releases performed poorly at the box office, leading to a brief setback in his film career.

    The 1999 hit crime drama Jaanwar marked Kumar's comeback. His next films Hera Pheri (2000), Dhadkan (2000) and Ajnabee (2001) were well received. He played a negative role in the latter, winning the Filmfare Best Villain Award and then appeared in Andaaz (2003), Aitraaz (2004), Khakee (2004) and Aan: Men at Work (2004) and Waqt (2005). In this period, Kumar also proved himself as a great comic actor when he featured in financially successful comedies like Mujhse Shaadi Karogi (2004), Garam Masala (2005), Family: Ties of Blood (2006) and Bhagam Bhag (2006), Phir Hera Pheri (2006), Namastey London (2007), Heyy Babyy (2007), Welcome (2007), Bhool Bhulaiyaa (2007), Singh Is Kinng (2008), Housefull (2010) and Tees Maar Khan (2010). He won the Filmfare Best Comedian Award for Garam Masala. In 2004, he presented the television series Seven Deadly Arts with Akshay Kumar. In 2008, he founded the Hari Om Entertainment production company, and hosted the first season of the reality game show Fear Factor: Khatron Ke Khiladi. Next year he was honoured with the Padma Shri, India's fourth highest civilian award, for his services to the Indian film industry. Kumar hosted the first season of MasterChef India in 2010. In 2011 he founded another production company Grazing Goat Pictures, and produced the Indo-Canadian hockey-based film Breakaway, which became the highest grossing cross-cultural film at the Canadian box office. (Full article...)
  • Image 8 Test cricket is the longest form of cricket. The women's variant of the game includes four innings to be completed over four days of play with eleven players in each side. The first women's Test was played between England and Australia in 1934. However, India did not play Test cricket until 1973 when the Women's Cricket Association of India was formed. The Indian women's team played their first Test match in 1976, against the West Indies. The Women's Cricket Association of India was merged with the Board of Control for Cricket in India in 2006 as part of the International Cricket Council's initiative to develop women's cricket. India have played 41 Tests, starting with their first Test in 1976. They first won a Test in Patna (1976), in front of over 25,000 spectators, against the West Indies but did not win again until 2002, when they won against South Africa. The team has remained unbeaten since 2006, over the course of three Test matches. (Full article...)
    Test cricket is the longest form of cricket. The women's variant of the game includes four innings to be completed over four days of play with eleven players in each side. The first women's Test was played between England and Australia in 1934. However, India did not play Test cricket until 1973 when the Women's Cricket Association of India was formed. The Indian women's team played their first Test match in 1976, against the West Indies. The Women's Cricket Association of India was merged with the Board of Control for Cricket in India in 2006 as part of the International Cricket Council's initiative to develop women's cricket.

    India have played 41 Tests, starting with their first Test in 1976. They first won a Test in Patna (1976), in front of over 25,000 spectators, against the West Indies but did not win again until 2002, when they won against South Africa. The team has remained unbeaten since 2006, over the course of three Test matches. (Full article...)
  • Image 9 The 2010 Commonwealth Games venues were all located in the host city of Delhi. (Full article...)
    The 2010 Commonwealth Games venues were all located in the host city of Delhi. (Full article...)
  • Image 10 Aadukalam (transl. Arena) is a 2011 Indian Tamil-language drama film written and directed by Vetrimaaran and produced by S. Kathiresan. Vetrimaaran co-wrote the dialogues with Vikram Sugumaran. The film stars Dhanush and Taapsee Pannu with Kishore, V. I. S. Jayapalan, Naren, and Murugadoss playing supporting roles. The musical score was composed by G. V. Prakash Kumar while the cinematography and editing were respectively handled by Velraj and Kishore Te. The film's story revolves around Karuppu who is the understudy of an experienced cockfighter, Pettaikaran. When Karuppu wins in a cockfight against Pettaikaran's rival Rathnasamy, Pettaikaran, who is initially happy, becomes jealous of Karuppu's newfound popularity and plots his downfall. Produced on a budget of ₹150-200 million, Aadukalam was released on 14 January 2011 and grossed ₹300 million according to a February 2011 report by The Economic Times. The film garnered awards and nominations in several categories, with particular praise for its direction, screenplay, Dhanush's performance, music, cinematography, and editing. The film has won 33 awards from 52 nominations. (Full article...)
    Aadukalam (transl. Arena) is a 2011 Indian Tamil-language drama film written and directed by Vetrimaaran and produced by S. Kathiresan. Vetrimaaran co-wrote the dialogues with Vikram Sugumaran. The film stars Dhanush and Taapsee Pannu with Kishore, V. I. S. Jayapalan, Naren, and Murugadoss playing supporting roles. The musical score was composed by G. V. Prakash Kumar while the cinematography and editing were respectively handled by Velraj and Kishore Te. The film's story revolves around Karuppu who is the understudy of an experienced cockfighter, Pettaikaran. When Karuppu wins in a cockfight against Pettaikaran's rival Rathnasamy, Pettaikaran, who is initially happy, becomes jealous of Karuppu's newfound popularity and plots his downfall.

    Produced on a budget of ₹150-200 million, Aadukalam was released on 14 January 2011 and grossed ₹300 million according to a February 2011 report by The Economic Times. The film garnered awards and nominations in several categories, with particular praise for its direction, screenplay, Dhanush's performance, music, cinematography, and editing. The film has won 33 awards from 52 nominations. (Full article...)
  • Image 11 The extreme points of India include the coordinates that are further north, south, east or west than any other location in India; and the highest and the lowest altitudes in the country. The northernmost point claimed by India is in territory disputed between India and Pakistan, and administered partially by both. With the exception of Kanyakumari, the southernmost location of mainland India, all other extreme locations are uninhabited. The latitude and longitude are expressed in decimal degree notation, in which a positive latitude value refers to the northern hemisphere, and a negative value refers to the southern hemisphere. Similarly, a positive longitude value refers to the eastern hemisphere, and a negative value refers to the western hemisphere. The coordinates used in this article are sourced from Google Earth, which makes use of the WGS84 geodetic reference system. Additionally, a negative altitude value refers to land below sea level. (Full article...)
    The extreme points of India include the coordinates that are further north, south, east or west than any other location in India; and the highest and the lowest altitudes in the country. The northernmost point claimed by India is in territory disputed between India and Pakistan, and administered partially by both. With the exception of Kanyakumari, the southernmost location of mainland India, all other extreme locations are uninhabited.

    The latitude and longitude are expressed in decimal degree notation, in which a positive latitude value refers to the northern hemisphere, and a negative value refers to the southern hemisphere. Similarly, a positive longitude value refers to the eastern hemisphere, and a negative value refers to the western hemisphere. The coordinates used in this article are sourced from Google Earth, which makes use of the WGS84 geodetic reference system. Additionally, a negative altitude value refers to land below sea level. (Full article...)
  • Image 12 Kapoor in 2022 Ranbir Kapoor is an Indian actor who appears in Hindi films. He worked as an assistant director on the films Aa Ab Laut Chalen (1999) and Black (2005), before making his acting debut opposite Sonam Kapoor in Sanjay Leela Bhansali's romantic drama Saawariya (2007). It earned Kapoor the Filmfare Award for Best Male Debut. He established himself in 2009 with leading roles in three films—the coming-of-age drama Wake Up Sid, the comedy Ajab Prem Ki Ghazab Kahani and the drama Rocket Singh: Salesman of the Year. He won the Filmfare Critics Award for Best Actor for his combined work in these three films. In 2010, Kapoor played a character based on Arjuna and Michael Corleone in the commercially successful political thriller Raajneeti. From 2011 to 2013, Kapoor's releases were among the highest-grossing Hindi films of their respective years. In Imtiaz Ali's musical Rockstar (2011), he played an aspiring singer, and in Anurag Basu's comedy-drama Barfi! (2012), he starred as a joyful deaf and mute man. His performance in both films was critically acclaimed and he earned two consecutive Best Actor awards at Filmfare and the former also earned him a Filmfare Critics Award for Best Actor. The romantic comedy Yeh Jawaani Hai Deewani (2013) further established him as a star. (Full article...)
    A face shot of Ranbir Kapoor
    Kapoor in 2022

    Ranbir Kapoor is an Indian actor who appears in Hindi films. He worked as an assistant director on the films Aa Ab Laut Chalen (1999) and Black (2005), before making his acting debut opposite Sonam Kapoor in Sanjay Leela Bhansali's romantic drama Saawariya (2007). It earned Kapoor the Filmfare Award for Best Male Debut. He established himself in 2009 with leading roles in three films—the coming-of-age drama Wake Up Sid, the comedy Ajab Prem Ki Ghazab Kahani and the drama Rocket Singh: Salesman of the Year. He won the Filmfare Critics Award for Best Actor for his combined work in these three films. In 2010, Kapoor played a character based on Arjuna and Michael Corleone in the commercially successful political thriller Raajneeti.

    From 2011 to 2013, Kapoor's releases were among the highest-grossing Hindi films of their respective years. In Imtiaz Ali's musical Rockstar (2011), he played an aspiring singer, and in Anurag Basu's comedy-drama Barfi! (2012), he starred as a joyful deaf and mute man. His performance in both films was critically acclaimed and he earned two consecutive Best Actor awards at Filmfare and the former also earned him a Filmfare Critics Award for Best Actor. The romantic comedy Yeh Jawaani Hai Deewani (2013) further established him as a star. (Full article...)
  • Image 13 Dookudu (transl. Aggression) is a 2011 Indian Telugu-language action comedy film directed by Srinu Vaitla, and jointly produced by Ram Achanta, Gopi Achanta and Anil Sunkara. The film features Mahesh Babu, Samantha, Prakash Raj, and Sonu Sood in the lead roles, and Brahmanandam, and M. S. Narayana in supporting roles. It was edited by M. R. Varma and the cinematography was provided by K. V. Guhan and Prasad Murella. The film's musical and background score were composed by S. Thaman. Partially inspired by the 2003 German tragicomedy film Good Bye, Lenin!, Dookudu revolves around the life of police officer Ajay Kumar (Mahesh). His father Shankar Narayana (Prakash Raj) awakes from a coma, which he has been in for many years after an accident, but his health remains perilous. To aid his recovery, Kumar masquerades as a Member of the Legislative Assembly fulfilling his father's ambition for him. (Full article...)
    Dookudu (transl. Aggression) is a 2011 Indian Telugu-language action comedy film directed by Srinu Vaitla, and jointly produced by Ram Achanta, Gopi Achanta and Anil Sunkara. The film features Mahesh Babu, Samantha, Prakash Raj, and Sonu Sood in the lead roles, and Brahmanandam, and M. S. Narayana in supporting roles. It was edited by M. R. Varma and the cinematography was provided by K. V. Guhan and Prasad Murella. The film's musical and background score were composed by S. Thaman.

    Partially inspired by the 2003 German tragicomedy film Good Bye, Lenin!, Dookudu revolves around the life of police officer Ajay Kumar (Mahesh). His father Shankar Narayana (Prakash Raj) awakes from a coma, which he has been in for many years after an accident, but his health remains perilous. To aid his recovery, Kumar masquerades as a Member of the Legislative Assembly fulfilling his father's ambition for him. (Full article...)
  • Image 14 Virender Sehwag has represented Delhi Daredevils in 86 matches, more than any other player. The Delhi Capitals are a franchise cricket team based in Delhi, India, and are one of the teams participating in the Indian Premier League (IPL). The Capitals played their first match in the first season of the IPL against the Rajasthan Royals. The Capitals reached the IPL playoffs three times, and have topped the group stage table twice. Their performances in the competition have resulted in their qualification for the 2009 and 2012 Champions League Twenty20, in which they reached the semi-finals on the second occasion. In total, 108 players have played for the Capitals, of whom Virender Sehwag has played the most matches: 86 since his debut for the franchise in 2008. The leading run-scorer for the Capitals is Sehwag with 2,382 runs. Rishabh Pant's innings of 128 not out against the Sunrisers Hyderabad in 2018 is the highest individual score in an innings by a Capitals batsman. David Warner and Shikhar Dhawan both have scored two centuries each for the Capitals, whereas Sehwag, AB de Villiers, Kevin Pietersen, Quinton de Kock, Sanju Samson, and Pant have scored one each. JP Duminy has the team's best batting average: 44.13. Among Capitals's bowlers, Amit Mishra has taken more wickets than any other, with 90. The best bowling average is Doug Bracewell's 10.66, though among bowlers who have bowled more than 20 overs, Farveez Maharoof has the best average with 19.25. Mishra has the best bowling figures in an innings: he got a five wicket haul against the Deccan Chargers in a 2008 match, while conceding only 17 runs. Dinesh Karthik has taken the most catches as wicket-keeper for the Capitals, with 30, while also making the most stumpings: 15. Sehwag has claimed the highest number of catches among fielders, taking 30. (Full article...)
    Virender Sehwag wearing a grey jacket and a cap, smiling.
    Virender Sehwag has represented Delhi Daredevils in 86 matches, more than any other player.


    The Delhi Capitals are a franchise cricket team based in Delhi, India, and are one of the teams participating in the Indian Premier League (IPL). The Capitals played their first match in the first season of the IPL against the Rajasthan Royals. The Capitals reached the IPL playoffs three times, and have topped the group stage table twice. Their performances in the competition have resulted in their qualification for the 2009 and 2012 Champions League Twenty20, in which they reached the semi-finals on the second occasion. In total, 108 players have played for the Capitals, of whom Virender Sehwag has played the most matches: 86 since his debut for the franchise in 2008.

    The leading run-scorer for the Capitals is Sehwag with 2,382 runs. Rishabh Pant's innings of 128 not out against the Sunrisers Hyderabad in 2018 is the highest individual score in an innings by a Capitals batsman. David Warner and Shikhar Dhawan both have scored two centuries each for the Capitals, whereas Sehwag, AB de Villiers, Kevin Pietersen, Quinton de Kock, Sanju Samson, and Pant have scored one each. JP Duminy has the team's best batting average: 44.13. Among Capitals's bowlers, Amit Mishra has taken more wickets than any other, with 90. The best bowling average is Doug Bracewell's 10.66, though among bowlers who have bowled more than 20 overs, Farveez Maharoof has the best average with 19.25. Mishra has the best bowling figures in an innings: he got a five wicket haul against the Deccan Chargers in a 2008 match, while conceding only 17 runs. Dinesh Karthik has taken the most catches as wicket-keeper for the Capitals, with 30, while also making the most stumpings: 15. Sehwag has claimed the highest number of catches among fielders, taking 30. (Full article...)
  • Image 15 The Sunrisers Hyderabad (often abbreviated as SRH) are a franchise cricket team based in Hyderabad, Telangana, that compete in the Indian Premier League (IPL). The team is owned by Kalanithi Maran of the Sun TV Network who won the bid for the franchise at ₹850.5 million per year on a five-year deal in 2012 following the termination of the previous Hyderabad-based franchise, Deccan Chargers, from the IPL. Having made its first IPL playoffs appearance in its debut season in 2013, the team has qualified for the playoffs every year since the 2016 season. They have reached the finals twice, most recently during the 2018 season, and won their only title in the 2016 season after defeating the Royal Challengers Bangalore by 8 runs in the Final. As of June 2022[update], the team was captained by Kane Williamson and coached by Tom Moody with Simon Helmot as assistant coach, Muttiah Muralitharan and Dale Steyn as bowling coaches, Brian Lara as batting coach and Hemang Badani as fielding coach. The team has played its home matches in the 55,000-capacity Rajiv Gandhi International Cricket Stadium in Hyderabad since its inception. The coronavirus pandemic impacted the brand value of the Sunrisers Hyderabad which was estimated to be US$57.4million in 2020 as the overall brand of IPL was decreased to US$4.4billion, according to Brand Finance. (Full article...)
    The Sunrisers Hyderabad (often abbreviated as SRH) are a franchise cricket team based in Hyderabad, Telangana, that compete in the Indian Premier League (IPL). The team is owned by Kalanithi Maran of the Sun TV Network who won the bid for the franchise at ₹850.5 million per year on a five-year deal in 2012 following the termination of the previous Hyderabad-based franchise, Deccan Chargers, from the IPL. Having made its first IPL playoffs appearance in its debut season in 2013, the team has qualified for the playoffs every year since the 2016 season. They have reached the finals twice, most recently during the 2018 season, and won their only title in the 2016 season after defeating the Royal Challengers Bangalore by 8 runs in the Final.
    As of June 2022, the team was captained by Kane Williamson and coached by Tom Moody with Simon Helmot as assistant coach, Muttiah Muralitharan and Dale Steyn as bowling coaches, Brian Lara as batting coach and Hemang Badani as fielding coach. The team has played its home matches in the 55,000-capacity Rajiv Gandhi International Cricket Stadium in Hyderabad since its inception. The coronavirus pandemic impacted the brand value of the Sunrisers Hyderabad which was estimated to be US$57.4million in 2020 as the overall brand of IPL was decreased to US$4.4billion, according to Brand Finance. (Full article...)
  • Image 16 Several governors, lieutenant governors and administrators pose with the President of India at the ‘2024 Governors Conference’, at Rashtrapati Bhawan, in New Delhi in August 2024. In the Republic of India, according to the Article 154 of Constitution of India, a governor is the constitutional head of each of the twenty-eight states. The governor is appointed by the president of India for a term of five years, and holds office at the president's pleasure. The governor is de jure head of the state government; all its executive actions are taken in the governor's name. However, the governor must act on the advice of the popularly elected council of ministers, headed by the chief minister, which thus holds de facto executive authority at the state-level. The Constitution of India also empowers the governor to appoint or dismiss a ministry, recommend president's rule, or reserve bills for the president's assent. (Full article...)
    Several governors, lieutenant governors and administrators pose with the President of India at the ‘2024 Governors Conference’, at Rashtrapati Bhawan, in New Delhi in August 2024.


    In the Republic of India, according to the Article 154 of Constitution of India, a governor is the constitutional head of each of the twenty-eight states. The governor is appointed by the president of India for a term of five years, and holds office at the president's pleasure.

    The governor is de jure head of the state government; all its executive actions are taken in the governor's name. However, the governor must act on the advice of the popularly elected council of ministers, headed by the chief minister, which thus holds de facto executive authority at the state-level. The Constitution of India also empowers the governor to appoint or dismiss a ministry, recommend president's rule, or reserve bills for the president's assent. (Full article...)
  • Image 17 Paradesi (transl. Vagabond) is a 2013 Indian Tamil-language period drama film written, produced and directed by Bala. The film features Atharvaa and Vedhika in the lead roles, with Sai Dhanshika, Uday Karthik, Riythvika and Jerry in supporting roles. The soundtrack and score were composed by G. V. Prakash Kumar. The cinematography was handled by Chezhiyan, while Kishore Te and L. V. K. Das were in charge of the editing. Based on Paul Harris Daniel's 1969 novel Red Tea, the film's story revolves around Raasa (Atharvaa), an unemployed villager who is misled into bonded labour at a tea plantation after being promised generous accommodation and wages by its supervisor (Jerry). Paradesi was made on a budget of ₹400 million and was released on 15 March 2013 to critical acclaim, but failed at the box office. The film won 37 awards from 59 nominations; its direction, performances of the cast members, music, cinematography, and costumes have received the most attention from award groups. (Full article...)
    Paradesi (transl. Vagabond) is a 2013 Indian Tamil-language period drama film written, produced and directed by Bala. The film features Atharvaa and Vedhika in the lead roles, with Sai Dhanshika, Uday Karthik, Riythvika and Jerry in supporting roles. The soundtrack and score were composed by G. V. Prakash Kumar. The cinematography was handled by Chezhiyan, while Kishore Te and L. V. K. Das were in charge of the editing. Based on Paul Harris Daniel's 1969 novel Red Tea, the film's story revolves around Raasa (Atharvaa), an unemployed villager who is misled into bonded labour at a tea plantation after being promised generous accommodation and wages by its supervisor (Jerry).

    Paradesi was made on a budget of ₹400 million and was released on 15 March 2013 to critical acclaim, but failed at the box office. The film won 37 awards from 59 nominations; its direction, performances of the cast members, music, cinematography, and costumes have received the most attention from award groups. (Full article...)
  • Image 18 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1954–1959 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. The original specification of the award was a circle made of standard silver 1+3⁄8 inches (35 mm) in diameter, with rims on both the sides. A centrally located lotus flower was embossed on the obverse side of the medal and the text "Padma Vibhushan" written in Devanagari script was inscribed above the lotus along the upper edge of the medal. A floral wreath was embossed along the lower edge and a lotus wreath at the top along the upper edge. The State Emblem of India was placed in the centre of the reverse side with the text "Desh Seva" in Devanagari Script on the lower edge. The medal was suspended by a pink riband 1+1⁄4 inches (32 mm) in width divided into three equal segments by two white vertical lines. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1954–1959 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. The original specification of the award was a circle made of standard silver 1+3⁄8 inches (35 mm) in diameter, with rims on both the sides. A centrally located lotus flower was embossed on the obverse side of the medal and the text "Padma Vibhushan" written in Devanagari script was inscribed above the lotus along the upper edge of the medal. A floral wreath was embossed along the lower edge and a lotus wreath at the top along the upper edge. The State Emblem of India was placed in the centre of the reverse side with the text "Desh Seva" in Devanagari Script on the lower edge. The medal was suspended by a pink riband 1+1⁄4 inches (32 mm) in width divided into three equal segments by two white vertical lines. (Full article...)
  • Image 19 Mukerji in 2021 Hindi film actress Rani Mukerji made her screen debut in Biyer Phool (1996), a Bengali film directed by her father Ram Mukherjee. Her first leading role was that of a rape victim in the 1996 social drama Raja Ki Aayegi Baaraat. In 1998 she received wider recognition for her role alongside Aamir Khan in the action film Ghulam, and had her breakthrough as the romantic interest of Shah Rukh Khan's character in the romantic drama Kuch Kuch Hota Hai. The latter earned Mukerji her first Filmfare Award in the Best Supporting Actress category. She followed this by playing the leading lady in several films, including Hello Brother (1999) and Nayak: The Real Hero (2001), none of which helped propel her career forward. Mukerji's career prospects improved in 2002 when she starred in Yash Raj Films' Saathiya, a romantic drama that gained her a Filmfare Critics Award for Best Actress. For her roles in the 2004 romantic comedy Hum Tum and the composite drama Yuva, Mukerji became the only actress to win both the Filmfare Award for Best Actress and Best Supporting Actress, respectively, in the same year. Also that year, she starred in Veer-Zaara—the highest-grossing Bollywood film of the year. In 2005, she received praise for portraying a blind, deaf and mute woman in the drama Black, and played a con woman in the crime comedy film Bunty Aur Babli. For her performance in Black, she was awarded the Best Actress and Best Actress (Critics) trophies at Filmfare. The following year, she played an unhappily married woman in the drama Kabhi Alvida Naa Kehna — the top-grossing Bollywood film in overseas at that point. (Full article...)
    Mukerji in 2021


    Hindi film actress Rani Mukerji made her screen debut in Biyer Phool (1996), a Bengali film directed by her father Ram Mukherjee. Her first leading role was that of a rape victim in the 1996 social drama Raja Ki Aayegi Baaraat. In 1998 she received wider recognition for her role alongside Aamir Khan in the action film Ghulam, and had her breakthrough as the romantic interest of Shah Rukh Khan's character in the romantic drama Kuch Kuch Hota Hai. The latter earned Mukerji her first Filmfare Award in the Best Supporting Actress category. She followed this by playing the leading lady in several films, including Hello Brother (1999) and Nayak: The Real Hero (2001), none of which helped propel her career forward.

    Mukerji's career prospects improved in 2002 when she starred in Yash Raj Films' Saathiya, a romantic drama that gained her a Filmfare Critics Award for Best Actress. For her roles in the 2004 romantic comedy Hum Tum and the composite drama Yuva, Mukerji became the only actress to win both the Filmfare Award for Best Actress and Best Supporting Actress, respectively, in the same year. Also that year, she starred in Veer-Zaara—the highest-grossing Bollywood film of the year. In 2005, she received praise for portraying a blind, deaf and mute woman in the drama Black, and played a con woman in the crime comedy film Bunty Aur Babli. For her performance in Black, she was awarded the Best Actress and Best Actress (Critics) trophies at Filmfare. The following year, she played an unhappily married woman in the drama Kabhi Alvida Naa Kehna — the top-grossing Bollywood film in overseas at that point. (Full article...)
  • Image 20 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of a recipient, whose award has been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register. As of 2019[update], none of the conferments of Padma Bhushan during the 2010s have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of a recipient, whose award has been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register. As of 2019, none of the conferments of Padma Bhushan during the 2010s have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
  • Image 21 Priyanka Chopra's performance in Mary Kom garnered her several awards and nominations Mary Kom is a 2014 Indian biographical sports drama film directed by Omung Kumar and produced by Sanjay Leela Bhansali and Viacom 18 Motion Pictures. The film features Priyanka Chopra in the lead role as the boxer Mary Kom, with Darshan Kumar and Sunil Thapa in supporting roles as her husband and mentor, Onler Kom and M. Narjit Singh respectively. The film was written by Saiwyn Quadras, with the cinematography provided by Keiko Nakahara while Bhansali co-edited the film with Rajesh G. Pandey. The film follows Kom's journey of becoming a boxer to her victory at the 2008 World Boxing Championships in Ningbo, China. Before its theatrical release on 5 September 2014, the film premiered at the 2014 Toronto International Film Festival, where it became the first Hindi film to be screened on the opening night of the film festival. The film received generally positive reviews from critics and was a commercial success. It grossed ₹1.05 billion (US$13 million) at the box-office against a budget of ₹150 million (US$1.8 million). Mary Kom has received various awards and nominations, with praise for its direction, Chopra's performance, screenplay, editing, background score, and costume design. As of August 2015, the film has won 20 awards. (Full article...)
    Priyanka Chopra's performance in Mary Kom garnered her several awards and nominations


    Mary Kom is a 2014 Indian biographical sports drama film directed by Omung Kumar and produced by Sanjay Leela Bhansali and Viacom 18 Motion Pictures. The film features Priyanka Chopra in the lead role as the boxer Mary Kom, with Darshan Kumar and Sunil Thapa in supporting roles as her husband and mentor, Onler Kom and M. Narjit Singh respectively. The film was written by Saiwyn Quadras, with the cinematography provided by Keiko Nakahara while Bhansali co-edited the film with Rajesh G. Pandey. The film follows Kom's journey of becoming a boxer to her victory at the 2008 World Boxing Championships in Ningbo, China.

    Before its theatrical release on 5 September 2014, the film premiered at the 2014 Toronto International Film Festival, where it became the first Hindi film to be screened on the opening night of the film festival. The film received generally positive reviews from critics and was a commercial success. It grossed ₹1.05 billion (US$13 million) at the box-office against a budget of ₹150 million (US$1.8 million). Mary Kom has received various awards and nominations, with praise for its direction, Chopra's performance, screenplay, editing, background score, and costume design. As of August 2015, the film has won 20 awards. (Full article...)
  • Image 22 Neerja is a 2016 Indian Hindi-language biographical thriller film directed by Ram Madhvani and produced by Atul Kasbekar. The film stars Sonam Kapoor as Neerja Bhanot and features Shekhar Ravjiani, Shabana Azmi and Yogendra Tiku among others in supporting roles. The film's script and screenplay were penned by Saiwyn Quadras, the dialogue was written by Sanyuktha Chawla Sheikh, and the editing was handled by Monisha R Baldawa. Set in Karachi, the plot of Neerja centres on the Libyan-backed Abu Nidal Organization's hijacking of Pan Am Flight 73 in Karachi, Pakistan, on 5 September 1986. The film is shown from the point of view of the flight's head purser, Neerja Bhanot, who died saving passengers on the hijacked flight. Made on a budget of ₹200 million (US$3.1 million), Neerja was released on 19 February 2016, and grossed ₹1.35 billion (US$16 million) worldwide. The film won 31 awards from 45 nominations; its direction and performances of the cast members have received the most attention from award groups. (Full article...)
    Neerja is a 2016 Indian Hindi-language biographical thriller film directed by Ram Madhvani and produced by Atul Kasbekar. The film stars Sonam Kapoor as Neerja Bhanot and features Shekhar Ravjiani, Shabana Azmi and Yogendra Tiku among others in supporting roles. The film's script and screenplay were penned by Saiwyn Quadras, the dialogue was written by Sanyuktha Chawla Sheikh, and the editing was handled by Monisha R Baldawa. Set in Karachi, the plot of Neerja centres on the Libyan-backed Abu Nidal Organization's hijacking of Pan Am Flight 73 in Karachi, Pakistan, on 5 September 1986. The film is shown from the point of view of the flight's head purser, Neerja Bhanot, who died saving passengers on the hijacked flight.

    Made on a budget of ₹200 million (US$3.1 million), Neerja was released on 19 February 2016, and grossed ₹1.35 billion (US$16 million) worldwide. The film won 31 awards from 45 nominations; its direction and performances of the cast members have received the most attention from award groups. (Full article...)
  • Image 23 The 2022 recipient: Rishab Shetty The National Film Award for Best Actor in a Leading Role is an honour presented annually at the National Film Awards of India instituted since 1967 to actors who have delivered the best performance in a leading role within the Indian film industry. Called the "State Awards for Films" when established in 1954, the National Film Awards ceremony is older than the Directorate of Film Festivals. The State Awards instituted the individual award in 1968 as the "Bharat Award for the Best Actor"; in 1975, it was renamed as the "Rajat Kamal Award for the Best Actor". Throughout the past 45 years, accounting for ties and repeat winners, the Government of India has presented a total of 52 "Best Actor" awards to 40 actors. Until 1974, winners of the National Film Award received a figurine and certificate; since 1975, they have been awarded with a "Rajat Kamal" (silver lotus), certificate and a cash prize. Since the 70th National Film Awards, the name was changed to "National Film Award for Best Actor in a Leading Role". Although the Indian film industry produces films in around 20 languages and dialects, the actors whose performances have won awards have worked in eight major languages: Hindi (twenty-five awards), Malayalam (fourteen awards), Tamil (nine awards), Bengali (five awards), Marathi, Kannada (four awards), English (two awards), and Telugu (one award). (Full article...)

    The 2022 recipient: Rishab Shetty

    The National Film Award for Best Actor in a Leading Role is an honour presented annually at the National Film Awards of India instituted since 1967 to actors who have delivered the best performance in a leading role within the Indian film industry. Called the "State Awards for Films" when established in 1954, the National Film Awards ceremony is older than the Directorate of Film Festivals. The State Awards instituted the individual award in 1968 as the "Bharat Award for the Best Actor"; in 1975, it was renamed as the "Rajat Kamal Award for the Best Actor". Throughout the past 45 years, accounting for ties and repeat winners, the Government of India has presented a total of 52 "Best Actor" awards to 40 actors. Until 1974, winners of the National Film Award received a figurine and certificate; since 1975, they have been awarded with a "Rajat Kamal" (silver lotus), certificate and a cash prize. Since the 70th National Film Awards, the name was changed to "National Film Award for Best Actor in a Leading Role".

    Although the Indian film industry produces films in around 20 languages and dialects, the actors whose performances have won awards have worked in eight major languages: Hindi (twenty-five awards), Malayalam (fourteen awards), Tamil (nine awards), Bengali (five awards), Marathi, Kannada (four awards), English (two awards), and Telugu (one award). (Full article...)
  • Image 24 The 2022 recipient: Pavan Malhotra The National Film Award for Best Actor in a Supporting Role (known as National Film Award for Best Supporting Actor prior to 69th NFA) is an honour presented annually at India's National Film Awards ceremony by the National Film Development Corporation of India (NFDC), an organisation set up by the Indian Ministry of Information and Broadcasting. A national panel appointed annually by the NFDC selects the actor who has given the best performance in a supporting role within Indian cinema. The award is presented by the President of India at a ceremony held in New Delhi. Since the 70th National Film Awards, the name was changed to "Best Actor in a Supporting Role". The winner is given a "Rajat Kamal" (Silver Lotus) certificate and a cash prize of ₹2 lakh (US$2,400). Including ties and repeat winners, the government of India has presented a total of 32 Best Supporting Actor awards to 29 different actors. Although Indian cinema produces films in more than 20 languages, the actors whose performances have won awards have worked in one or more of seven major languages: Hindi (18 awards), Tamil (9 awards), Bengali (3 awards), Malayalam (4 awards), Marathi (3 awards), Telugu (1 award), Kannada (1 award). (Full article...)

    The 2022 recipient: Pavan Malhotra

    The National Film Award for Best Actor in a Supporting Role (known as National Film Award for Best Supporting Actor prior to 69th NFA) is an honour presented annually at India's National Film Awards ceremony by the National Film Development Corporation of India (NFDC), an organisation set up by the Indian Ministry of Information and Broadcasting. A national panel appointed annually by the NFDC selects the actor who has given the best performance in a supporting role within Indian cinema. The award is presented by the President of India at a ceremony held in New Delhi. Since the 70th National Film Awards, the name was changed to "Best Actor in a Supporting Role".

    The winner is given a "Rajat Kamal" (Silver Lotus) certificate and a cash prize of ₹2 lakh (US$2,400). Including ties and repeat winners, the government of India has presented a total of 32 Best Supporting Actor awards to 29 different actors. Although Indian cinema produces films in more than 20 languages, the actors whose performances have won awards have worked in one or more of seven major languages: Hindi (18 awards), Tamil (9 awards), Bengali (3 awards), Malayalam (4 awards), Marathi (3 awards), Telugu (1 award), Kannada (1 award). (Full article...)
  • Image 25 Citation plaque The Jnanpith Award is the oldest and the highest Indian literary award presented annually by the Bharatiya Jnanpith to an author for their "outstanding contribution towards literature". Instituted in 1961, the award is bestowed only on Indian writers writing in Indian languages included in the Eighth Schedule to the Constitution of India and English, with no posthumous conferral. From 1965 till 1981, the award was given to the authors for their "most outstanding work" and consisted of a citation plaque, a cash prize and a bronze replica of Saraswati, the Hindu goddess of knowledge and wisdom. The first recipient of the award was the Malayalam writer G. Sankara Kurup who received the award in 1965 for his collection of poems, Odakkuzhal (The Bamboo Flute), published in 1950. The rules were revised in subsequent years to consider only works published during the preceding twenty years, excluding the year for which the award was to be given and the cash prize was increased to ₹1.5 lakh (equivalent to ₹31 lakh or US$37,000 in 2023) from 1981. (Full article...)

    Citation plaque

    The Jnanpith Award is the oldest and the highest Indian literary award presented annually by the Bharatiya Jnanpith to an author for their "outstanding contribution towards literature". Instituted in 1961, the award is bestowed only on Indian writers writing in Indian languages included in the Eighth Schedule to the Constitution of India and English, with no posthumous conferral.

    From 1965 till 1981, the award was given to the authors for their "most outstanding work" and consisted of a citation plaque, a cash prize and a bronze replica of Saraswati, the Hindu goddess of knowledge and wisdom. The first recipient of the award was the Malayalam writer G. Sankara Kurup who received the award in 1965 for his collection of poems, Odakkuzhal (The Bamboo Flute), published in 1950. The rules were revised in subsequent years to consider only works published during the preceding twenty years, excluding the year for which the award was to be given and the cash prize was increased to ₹1.5 lakh (equivalent to ₹31 lakh or US$37,000 in 2023) from 1981. (Full article...)
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4 November 2024 – 2024 Almora bus accident
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Islamist insurgents target an Indian Army vehicle with small arms fire near Gulmarg, Jammu and Kashmir, India, killing two soldiers and two civilian porters and injuring three other soldiers. (The Indian Express)

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